Thursday, May 24, 2018


Intimate IV
30 x 22

Today I am heading over to UPS to drop off a large box containing this painting.  It is traveling to New Mexico to new owners and people very dear to me.  I am very exciting knowing they love this painting enough to bring it into their home.  This is from my Slip Series started in 2011 exploring presence and absence of a loved one.

Crocket Cove
14 x 14

Crockett Cove is oil on panel created last July while in Stonington, ME.  I spent a few days in one of the many stunning coves painting with fellow artists and watching the tide ebb and flow.  This was in the Near and Far exhibit,  a two person show I did last August with artist K. Velis Turan  at Law and Water Gallery in Gloucester, MA.  

A collector from across the globe bought this. He saw it on the gallery's website!  Searching shipping options I was pleasantly surprised that the USPS offered the best deal to delivery this painting to Tasmania. It took about 10 days to reach the collector and thankfully he sent me an email confirming his delight in the painting.

Dream Catchers
mixed media/paper
30 x 22

Dream Catcher was recently shown in the Contemporary Visions 2018 exhibit at Powers Gallery in Acton, MA.  And I am grateful that the staff of Powers has found a new home for another one of my paintings.  Thank you Powers Gallery!

This painting is part of my Memory Vessels series exploring the ethereal containers that hold memories.  Another interesting coincidence is that the new collector of my slip above is also the same person who introduced me to dream catchers also known as dream snares originating with the Ojibwa tribe.  

Originally these were used as protective charms hung over infants cribs.  I have been researching how dreams and the subconscious affects our retention of memory.  And I have a very large dream catcher hanging in my bedroom to snare any disturbing dreams.  So far this one has worked magically.

Wednesday, April 4, 2018


I just returned a few days ago from a month long residency at Weir Farm Art Center in Wilton, CT.  This friendly buffalo is not my creation but a symbol of the National Parks Service. Weir Farm National Historic Site, established in 1990, is the only National Park Service site dedicated to American painting.  Since 1998 the Weir Farm Art Center has invited over 200 plus artists from the US and abroad to participate in their residency program. 

 When I arrived on March 1st, there was no snow on the ground.  In fact when I was packing it was 60 degrees in Boston.  I did throw a pair of shorts into my suitcase... silly me. 

I had use of a very spacious studio (all to myself and a space one wants to take home with them) that looked east into the woods and west into the fields.  The trees, sky, birds, wind, and the sun rising and setting was a constant source of inspiration as were the 4 northeaster's we had in March.  Luckily the power stayed on even though all around the area large trees collapsed due to the high winds.

The cottage, steps away from the studio, is very comfortable and cozy.  I loved walking out the door and having 60 acres of nature to explore by foot or snowshoe depending.  Weir Pond became a daily jaunt as the water deep blue one day and glazed by ice the next called to me.  Each of the four snowstorms  refreshed the landscape in creative ways and being there by myself allowed me the time and space to witness the magic.   I could not have asked for a better month from Mother Nature.  

Below is an example of my art journal warm-ups.  These continued each morning as a way to center myself in the studio and get ready for a day of painting, experimenting and exploring.  I posted several of these warm-ups on Instagram along with the beginning stages of paintings and my daily wanderings.

My camera, a Nikon D80, was as important a tool as my paints for this residency.  I photographed over 500 images of the natural world to capture not just the large scale but the intimate landscape.  Many of these are paired with small paintings as diptychs.  Some of my paintings are inspired by the landscape and other times the paintings found its partner in the landscape.

Here is one pairing. 

12" x 12" digital photography and 12" x 12" mixed media/panel 2018

Now I just need to unpack, organize, photograph the new work and get back into the studio!